如今,國內(nèi)眾多書畫家正面臨著 "酒香也怕巷子深"的難題.多數(shù)書畫家苦心創(chuàng)作卻得不到市場認(rèn)可,藝術(shù)作品的變現(xiàn)更是問題.中國書畫書畫家如何在廣大藏家和藝術(shù)愛好者中提升知名度呢?美術(shù)網(wǎng)()作為一家專注于美術(shù)家網(wǎng)絡(luò)包裝的服務(wù)平臺,有著專業(yè)的網(wǎng)絡(luò)包裝經(jīng)驗(yàn)與技術(shù),眾多的免費(fèi)推廣方案以及豐富靈活的合作方式,期待著與您建立長久的伙伴關(guān)系,靜候佳音.

美術(shù)網(wǎng)推薦藝術(shù)家

老圃,姓白名進(jìn)海,金海,菜園子老白.1955年生,北京人,1982年畢業(yè)于中央美術(shù)學(xué)院中國畫系,2004年畢業(yè)于中央美術(shù)學(xué)院首屆國畫專業(yè)博士課程研修班,師從張立辰先生,現(xiàn)為榮寶齋畫院研究創(chuàng)作中心主任,其畫作多取材于瓜果,、青蔬,、花鳥,從選材到如何描繪題材上顯示與一般花鳥畫家有很大的不同,能將自然之情、鄉(xiāng)情融為一個獨(dú)特的藝術(shù)審美世界,用筆簡樸,、設(shè)墨清雅,崇尚簡淡中和之道,在寫實(shí)中強(qiáng)調(diào)表現(xiàn)性,獨(dú)蹊一格.

 Old nursery, white name into the sea, golden sea, vegetable garden old white. Born in Beijing in 1955, graduated from the Department of Chinese Painting of the Central Academy of Fine Arts in 1982, graduated from the First Doctoral Course of Chinese Painting of the Central Academy of Fine Arts in 2004. Mr. Zhang Lichen is the director of the Research and Creation Center of the Rongbaozhai Academy of Painting. His paintings are mostly based on melons, fruits, vegetables, flowers and birds. From the selection of materials to how to depict the subject matter, they are quite different from the general flower and bird painters. It can blend natural feelings and homesickness into a unique artistic aesthetic world. It is - and elegant in writing, advocates the - and neutral way, emphasizes expressiveness in realism and is unique in style.

他(老圃)不追求那種氣勢奪人的陽剛之美,他也不欣賞那種孤寂悲愁的蒼涼之境,既無故作文人高雅之態(tài),又無矜持造作媚俗之感,他的畫如其人,崇尚簡淡中和之道.正像唐人司空圖在著名的《詩品》中所指出的"沖淡",、"典雅",、"自然",、"清奇"諸品其意旨都體現(xiàn)在他的作品中.如果我們用平常心,、細(xì)致心、靜默心去看,是不難進(jìn)入老圃菜園子里的平淡清逸,、柔雅玄思的審美境界的,也體會到他的"落花無言,人淡如菊"和"素處以墨,妙機(jī)其微"的感受與樂境.

 He (old nursery) does not pursue that kind of masculine beauty, nor does he appreciate the lonely and sad desolate state, neither the elegant manner of the writer for no reason, nor the feeling of being vulgar. His paintings are like his own, advocating the - and neutral way. Just as Sikong Tu of Tang Dynasty pointed out in his famous poems, the meanings of "dilution", "elegance", "nature" and "singularity" are embodied in his works. If we look at it with ordinary heart, meticulous heart and quiet mind, it is not difficult to enter the aesthetic realm of plain, elegant and profound meditation in the garden of vegetable in the old nursery. We also realize his feelings and joy of "falling flowers without words, people are as indifferent as chrysanthemum" and "plain ink, subtle opportunity".